Eminem New Album is back with a bang. Shady has returned, and his new album, “The Death of Slim Shady (Coup De Grâce),” dropped on Friday, July 12. This album, his first since 2020’s “Music to Be Murdered By,” aims to be his 10th consecutive chart-topping record on the Billboard 200.
Just hours before the album’s release, Eminem revealed that “TDOSS” is a conceptual album, urging fans to listen from start to finish without skipping tracks. He emphasized this on social media, writing, “Public service announcement: the ‘death of slim shady’ is a conceptual album, therefore, if you listen to songs out of order they might not make sense. Enjoy.”
The album’s promotion began with the single “Houdini,” which soared to No. 2 on the Billboard Hot 100, marking Eminem’s highest charting entry of the decade. He followed up with “Tobey,” featuring Big Sean and BabyTron, which debuted at No. 95 on the Billboard Hot 100 earlier in July.
“The Death of Slim Shady” features collaborations with artists like Jelly Roll, J.I.D, Skylar Grey, Bizarre, Ez Mil, and more. At 51, Eminem remains a formidable force in hip-hop, with a Hall of Fame career that rivals any of his peers. Whenever Slim Shady releases new music, the world watches closely. Here’s a ranking of all 19 tracks from “The Death of Slim Shady,” excluding the skits.
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“Lucifer”
Opening with a powerful intro reminiscent of “Square Dance” from “Eminem New Album,” Dr. Dre’s production is evident in the crisp beats. Eminem uses this track to address right-wing political commentator Candace Owens, who previously questioned his sexuality. “And Candice O, I ain’t mad at her/ I ain’t gon’ throw the fact b—h forgot she was Black back at her/ Laugh at her, like them crackers she’s backin’ after,” he raps, delivering his response with characteristic wit and intensity.
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“Evil”
With dark production by Don Cannon, “Evil” explores Eminem’s battles with his inner demons. Despite turning his life around, he admits his darker side still haunts him. “I finished turned my whole life around/ But I think I’m just like you now, ’cause I turned out so f—–g evil,” he confesses.
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“Road Rage”
This track features numerous Caitlyn Jenner references. Eminem reflects on society’s tendency to coddle rather than challenge. He criticizes the normalization of unhealthy lifestyles: “Let’s celebrate onset diabetes and instead of us dieting we can just have a pie eating contest/ And we should be more nice instead of honest/ And instead of exercising it’s easier to find a XXXL your size,” he raps.
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“Head Honcho” Feat. Ez Mil
Ez Mil shines in this collaboration, with Eminem stepping aside to give Mil the spotlight. Despite past traumas, like having his tricycle stolen as a child, Eminem continues to innovate. He acknowledges fans’ desire for new music but insists on taking different creative paths.
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“Brand New Dance”
A nostalgic throwback to 2004, this track is a reworked extra from “Encore.” Originally titled “Christopher Reeves,” the song fits seamlessly into the new album, showcasing Eminem’s ability to blend past and present.
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“Bad One”
Eminem addresses his role in shaping the white rapper genre and hints at rekindling his feud with Machine Gun Kelly. “But I gotta keep going Tyson on Kelly/ I bodied him twice and already/ That little motherf—–‘s back throwing subs like a food fight at the deli,” he declares.
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“Trouble”
Though just 41 seconds long, “Trouble” packs a punch. Eminem targets various marginalized communities, acknowledging the “Gen Z is trying to cancel Eminem” meme. He reflects on the duality of his personas, Slim Shady and Marshall Mathers, and their need for coexistence.
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“Habits”
This five-minute track delves into Eminem’s struggles with addiction and his propensity to channel Slim Shady. He worries about being canceled for controversial lyrics but asserts his role as a good father. “Calling Shady misogynistic/ While raising three daughters, graduated from college with honors,” he raps.
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“Tobey” Feat. Big Sean & Babytron
Initially a BabyTron solo, this song evolved into a Detroit super-collaboration. Eminem, feeling slighted by Billboard’s ranking of him, unleashes his competitive spirit. “How rappers I’ve already ripped can be/ Higher up on a list than me/ Yet, here I sit on your list even though at 5, which still is fine/ But just know inside, to me, that s–t’s hilarious,” he raps.
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“Houdini”
Eminem taps into his Slim Shady alter-ego, touching on nostalgic themes from the late ’90s and early 2000s. He sparks controversy with references to Megan Thee Stallion and R. Kelly but saves the track with a catchy hook.
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“Antichrist”
This bold track features a child harmonizing with Eminem’s vocals. He takes on the persona of the “Antichrist,” challenging his rivals. Recent references to Diddy and Cassie add to the song’s provocative nature.
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“Renaissance”
A dark piano-driven track where Eminem critiques hip-hop fans who find fault with every album, even those from legends like Lil Wayne, Kendrick Lamar, and Kanye West. “You nerdy p—-s would find somethin’ wrong with 36 Chambers/ So what they do for the greats? Pick the part of Picasso and make excuses to hate,” he raps.
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“Guilty Conscience 2”
A sequel to the 1999 classic, Eminem reignites old feuds and reconciles with past conflicts. He critiques his alter-ego Slim Shady, acknowledging the controversy stirred by his lyrics and persona.
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“Temporary” Feat. Skylar Grey
Skylar Grey’s soft vocals provide a break from the intensity, creating a touching tribute to Eminem’s daughter, Hailie. This song continues the lineage of heartfelt tracks about their father-daughter relationship.
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“Fuel” Feat. J.I.D
Eminem steps out of his comfort zone, collaborating with the younger J.I.D. The starry production pushes Slim Shady to elevate his game, paying homage to The Notorious B.I.G. and 2Pac while hinting at Diddy’s involvement in their murders. “R.I.P., rest in peace, Biggie and Pac, both of y’all should be living/ But I ain’t tryna beef with him/ Cause he might put a hit on me like Keefe D did him,” he alleges.
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“Somebody Save Me” Feat. Jelly Roll
A tearful conclusion to “The Death of Slim Shady,” this song is an apology to Eminem’s children. Filled with regret for his shortcomings as a father, he teams up with Jelly Roll for a poignant finale. Jelly Roll’s heavenly chorus provides a sense of redemption as Eminem reflects on his past and hopes for forgiveness.
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